2021-02

HFD

CC15011

It leaves me feeling a bit uncomfortable, so I'm more satisfied than ever, but I'll probably update again.
HFD

CC15010

When I start to work on small details and very subtle layers of color, I work in the shade to avoid casting unnecessary shadows on the canvas, and the blue of the sky seeps into the picture plane, changing the freshness, brightness, and even contrast from what I see outdoors.
HFD

CC15008

A view from my garage. If I could create many compositions from the sky, mountains, buildings, and the view from here, I would have more freedom.
HFD

CC15007

This time I decided to fill the entire screen as quickly as possible. It's easier to capture the outside light, but it's a little different when it comes to capturing something like energy from it.
HFD

CC15005

I traced the landscape with the density and concentration of lines. I tried not to pay attention to the flow and direction of the lines.
HFD

CC15004

I moved to Otsu, and this is my first work. It doesn't really matter where I go, as the places I choose are similar, but I can concentrate very well in this area.
HFD

CC15003

From here, we move on to sensations beyond the sense of air. A scene that does not intersect with the sense of air. I wonder what is beyond the scene. I'm imagining it as I type this.
HFD

CC15001

The cold made my hands freeze up quickly, but the feeling of cold faded away while I was still painting, and I went on working as usual. However, I had to take a break. After that, I lost my concentration and my perception of what I saw, and my depiction became a mess.
HFD

CC15000

No comments.
HFD

CC14999

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HFD

CC14997

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HFD

CC14996

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