2021-03

SHOP

CC15042

The location is Ogi-machi, Otsu City, Shiga Prefecture. The place is surrounded by rich nature.
HFD

CC15042

Mountains that seem to shine in the light, but feel as if they are shining themselves. And the eternity of the terraced rice paddies. Every kind of nature is shining by itself.
SHOP

CC15041-2

The location is Minami-Shiga, Otsu City, Shiga Prefecture, Japan. The time is from around 16:00 to 17:00.
HFD

CC15041-2

As a reaction to the sensation I had just painted, I was tired of "staring," so I painted the landscape with only observation. I don't know the definition of landscape painting, but if I were to think about what is important in a landscape, I would say it is the feeling of air.
HFD

CC15041-1

As a first step, the contrast between the sky and the lake can be clearly seen starting from the horizon. Today it was cloudy, so there was little movement of light with time. And the second step. The surface of the lake is very dark, and the sky is also getting darker.
HFD

CC15040

I chose this place because of the shape of the light surface created by the cherry blossoms in the sunlight. The brightness of the light is increased,
SHOP

CC15036

Drawings in pencil on paper. Original drawing for sale. Please ask about framing. This work uses a building as the subject of the depiction. The contrast between light and shadow is filled in on the left and right sides of the screen to get to the root of the light and shadow.
HFD

CC15034

When we see shadows as matter, we create a boundary with light. On the contrary, when we look at the shade of a building as light, we become conscious of the brightness of the sun. As we proceed, freshness appears, but if we keep looking at it,
HFD

CC15033

The light is easy to see in the absence of sunlight, and it takes you outside the landscape. The shadows created by the unevenness of the stone steps, or the intensity of the energy. My consciousness moves out of the landscape to the point where
HFD

CC15031

Tracing the boundaries of each leads to painting matter. If you want to paint a landscape, you have to paint the air. If you paint light, you paint light. And energy. There are no boundaries between air, light, and energy, so it is impossible to draw a line.
HFD

CC15029

I gave it my all in terms of what I can feel now and the technical aspects of expressing it on canvas. I will change places and make use of what I have learned from this subject and move forward to further ideals.
HFD

CC15028

The fresher it gets, the fainter it gets. Today is the 14th day. I'm still not sure where I'm feeling the discomfort, but I think I've noticed a few things today. Or maybe I'm just assuming. In fact, the freshness of the colors is blending in with the surroundings,
HFD

CC15026

My habit of using the entire screen (rectangle) as my work makes me worry about the margins around it, and I end up using the entire screen as my work, which results in a less impactful impression. However, I haven't tried this with oil yet,
HFD

CC15025

It's been a while since I've done a sketch of a person. Lasted about three minutes. It was short, but I was able to concentrate deeply.
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